Production Information
Film Stock
SpaceCam uses its own 1000′ magazines and requires full loads only. Short ends are not usable. Film can either be delivered to SpaceCam on the prep day or delivered to the rigging location on the rigging day.
Video Recorder
SpaceCam makes available a Sony Mini DV playback system aboard the helicopter. Production needs to provide the tapes. The image from the video assist will be reversed left to right. Production’s video personnel needs to make the necessary adjustments.
Screen Direction
It is essential that a conference between the SpaceCam crew and Production to discuss technical aspects and requirements of the shoot take place prior to the SpaceCam leaving our facility. When possible, storyboards should be sent. An additional meeting on location is also essential.
Lenses and Filters
The SpaceCam 35mm 4-perf. setup comes standard with an Angenieux HR 10x zoom 25-250mm T3.5 lens or a 20x zoom 23-460mm T8 lens. A standard set of 85 and ND filters is available. Requirements for any other special lenses or filters must be discussed in advance with a SpaceCam camera operator or technician. SpaceCam is compatible with a vast array of Panavision lenses and if needed, the additional lenses must be rented from Panavision on production’s account and the lenses must be delivered to SpaceCam for the in-shop prep day. The interface between lens and camera on the SpaceCam is considerably more complex than on conventional ground cameras. This is due to the requirements for precise balance and electronic control over all lens functions.
Night Storage
SpaceCam must be stored in a safe, clean environment. If it is rigged to a helicopter, it is best to secure the helicopter in a hangar. If this is not possible, a security guard must be provided.
Landing Site
The SpaceCam system can be damaged by debris, loose dirt or gravel. When used with helicopters, remote landing sites must be level and clean. They should be checked beforehand for unsecured objects and equipment. The landing area should have a clear approach path for take-offs and landings, free from power lines, buildings and high trees. It should not be located near schools or hospitals and should not require a low approach over residential areas. Grass, asphalt or cement are the best surfaces.
Rotor Wash
If close hovering or low flying is required during shooting, only essential personnel should be allowed nearby. All loose objects and equipment must be safely secured. Attention should be given to the damage, which can occur as a result of the powerful rotor wash. The strong wind, which results from the helicopter’s whirling blades, bounces off of the ground and nearby structures and is carried along in the direction of the prevailing wind. Trees and bushes downwind of the helicopter can be blown around quite violently at times.
Helicopter Accessories
Good communication between ground and the crew inside the helicopter is essential. Production should arrange with the film pilot for the use of Aeronautical Band ground-to-air radios, intercom systems, helmets and headsets, and/or Motorola type FM radios. A fuel truck should also be provided when the filming location is more than a short distance from the nearest airport.